Rabu, 09 Maret 2016

> Download Ebook Light Theology and Heavy Cream: The Culinary Adventures of Pietro and Madeline, by Robert Farrar Capon

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Light Theology and Heavy Cream: The Culinary Adventures of Pietro and Madeline, by Robert Farrar Capon

Light Theology and Heavy Cream: The Culinary Adventures of Pietro and Madeline, by Robert Farrar Capon



Light Theology and Heavy Cream: The Culinary Adventures of Pietro and Madeline, by Robert Farrar Capon

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Light Theology and Heavy Cream: The Culinary Adventures of Pietro and Madeline, by Robert Farrar Capon

Robert Farrar Capon is well known as the author of the modern classic The Supper of the Lamb (“awesomely funny, wise, beautiful, moving, preposterous,” said The New York Times) and other acclaimed books such as Genesis, the Movie. In Light Theology & Heavy Cream: The Culinary Adventures of Pietro & Madeleine, Capon returns to the kitchen to present a spirited collection of pieces he describes as “culinary and theological snack food.” Providing significant nutritive value in terms of both cooking and thinking, Capon offers them “as a lark.” The protagonists of this endeavor are Pietro and Madeleine, a husband and wife with clear resemblances to the author and his wife, Valerie. With Capon's signature wit and precision, Pietro and Madeleine explore such diverse topics as creativity, addiction, televangelism, spirituality, the correct way to slice a leg of lamb, and the virtues of diners.

“Given the irony of a God who saves the world by foolishness and weakness,” Capon writes, “and the hilarity by which he gives us corn, wine, and oil—not to mention his wonderfully two-faced creatures such as butter, salt, tobacco, and pork fat—this is no world in which to land on one side of a paradox.” Nibbling away on Light Theology & Heavy Cream is to encounter an author who has “always been perfectly substantial and perfectly silly at the same time,” but here “propels himself faster and farther in both directions.”

“You challenge me to match the sum total of the world's miseries with a fast, but then you complain that I fall short because I have eaten lobster instead of beetles or something. Why, I could starve myself stone cold to death and still fall short. To use your very own argument, the world's miseries are tractable only to God's grace, not my merits. A lobster, obediently ingested, can remind me of that as well as anything else, eaten or not eaten, on the same principle.”
—from the first chapter

  • Sales Rank: #1486252 in eBooks
  • Published on: 2004-01-25
  • Released on: 2012-07-31
  • Format: Kindle eBook

Review
[Main character] Pietro has no patience for overcooked chicken breasts. But what he cannot abide even more is the way the Christian church has been passing itself off as a ‘sin-prevention' community that slaps the hands of sinners and gives the world the impression that God spends all His time keeping track of our bad behavior. . . . Whether discussing creativity, addiction, televangelism, or sins of the flesh, this talkative chap makes a good case for the love of God that will not let us go. (Frederic and Mary Ann Brussat Spirituality and Health)

About the Author
ROBERT FARRAR CAPON is a veteran Episcopal priest and widely published theologian. Among his works number many cookbooks, and he has served as food columnist for the New York Times and Newsday.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Lighthearted Humor
By Sandee
I've come to love anything from Robert Capon. This however was a bit different than other writings in that it is chapter by chapter full of the satirical quick witted humor he is known for in his writings.

0 of 0 people found the following review helpful.
... book was just the medicine for me during a painful spine problem
By D. Krupp
This book was just the medicine for me during a painful spine problem. Light, enjoyable reading with some challenging theological thoughts and insights stirred lovingly into the roux. You'll smile as you enter into the stories. You may disagree with some of the thought, but whose thought doesn't need a little challenge once in a while? You'll even be exposed to some good cuilinary techniques.

4 of 7 people found the following review helpful.
Another great offering by Robert F. Capon
By Doctordad
Robert F. Capon does it again. Real life Christianity facing real life questions and real life hope despite the real life s*%t of real life. All whipped up into a fun souffle of easy to read fare.

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Selasa, 01 Maret 2016

? Download Heidi, by Johanna Spyri

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Heidi has captivated and enthralled readers since it was first published. Heidi, an orphan, has to move in with her stern, demanding grandfather in the Swiss Alps, and just as she begins to feel at home she finds herself back in a city caring for a sick relative. This classic coming of age story explores the balance between freedom and family responsibilities. The joyously triumphant resolution will stay with the reader for a long time.

  • Sales Rank: #900609 in eBooks
  • Published on: 2013-02-18
  • Released on: 2013-02-18
  • Format: Kindle eBook

Amazon.com Review
Johanna Spyri's classic story of a young orphan sent to live with her grumpy grandfather in the Swiss Alps is retold in it's entirety in this beautifully bound hardcover edition. Heidi has charmed and intrigued readers since it's original publication in 1880. Much more than a children's story, the narrative is also a lesson on the precarious nature of freedom, a luxury too often taken for granted. Heidi almost loses her liberty as she is ripped away from the tranquility of the mountains to tend to a sick cousin in the city. Happily, all's well that ends well, and the reader is left with only warm, fuzzy thoughts. Spryi's story will never grow wearisome--and this is a very appealing edition. --Naomi Gesinger

From Publishers Weekly
This truncated retelling of orphan Heidi's simple life in the Swiss Alps and her sojourn in the big city seems almost as indebted to the Shirley Temple film as to Johanna Spyri's 1880 novel. Krupinski's (A New England Scrapbook) heroine mimics Temple, curls, button nose and all, though she lacks the actress's expressive smile and gestures. Similarly blank-faced characters contrast with Krupinski's serene, lushly idealized landscape paintings: the people seem like wax dolls, but the glowing blankets of flowers make the Alps heaven on earth. The text emphasizes the sensual joys of fresh goat's milk, fir trees "with their piney scent," Heidi's sweet-smelling bed in her grandfather's hay loft, etc., but that is its only demonstrable strength. Both Heidi's relationship with her grandfather and the idealized subplot about wheelchair-bound Klara's learning to walk are woodenly described; little space is given to dialogue and even less to Heidi's emotions. The plot, too, is severely condensed: "Many more good things happened after that day." The book succeeds as a portrayal of the joys of mountain life, but otherwise fails to do justice to Spyri's story of a girl's courage and persistence. Ages 5-9.
Copyright 1996 Reed Business Information, Inc.

From School Library Journal
Grade 4 Up. This edition of the classic title features the unabridged text; full-color illustrations; and captioned photos, drawings, and reproductions that provide cultural, geographical, and historical information. Rozier-Gaudriault's artwork is primarily done in a soft, pastel palette that pleasantly captures this gentle story of a sweet but resilient young girl who brings love and joy to those whom she encounters. Quotes from the text appear next to the illustrations. The documentary material gives a serendipitous look at Heidi's life and times. Some of it is insightful and specific to the narrative; other annotations are more generic such as the one that accompanies a picture of kittens and notes that "it is not unusual for a cat to give birth to seven or eight kittens in a single litter." The appeal of this approach is a matter of taste. Some readers will find the information helpful and fun; others may find it distracting and at times only minimally relevant. It is obvious that considerable effort, thought, and research went into this effort. Readers willing to spend time checking out the captions will be rewarded beyond the simple enjoyment of the story.?Carol Schene, Taunton Public Schools, MA
Copyright 1997 Reed Business Information, Inc.

Most helpful customer reviews

57 of 57 people found the following review helpful.
Beware of this travesty- it's dull and stilted!
By Rose byAnother Name
Beware, the beauty of literature is not in this edition! THIS REVIEW IS FOR THE PUFFIN IN BLOOM EDITION ONLY. Heidi is such an awesome story, the translation by Helen Dole reads so beautifully and engages the reader to follow closely along, to interact and enter into the adventure. This book has short sentences, as if to hand feed the reader so that they don't need to pay attention or engage. In other words- it's a dumbed-down translation!! Please don't deprive young readers of good literature! There is a place for simplified versions of books BUT that should be clear when purchasing that it isn't the original version and writing has been altered. This book changes the names of characters too. It is a travesty!! So, if all you want is a "pretty" cover - fine, but even the inside illustrations aren't good - it saddened me and I sent it back. Thank you, Amazon for ease of returns. Please be aware that Amazon sells different editions translated differently. Perhaps you'll find a new edition that is better than this one. I'm very happy with the used copy I found on Amazon with a copy write date of 1945. The illustrations are wonderful and the language is beautiful, and the names are not Americanized. The Puffin in Bloom edition has a character named Barbie.

45 of 47 people found the following review helpful.
Read it as a child and as an adult!
By LindaT
A while back when I was in my 30's (never mind how long ago that was!) I was sick with the flu, and I found a copy of HEIDI, so I crawled into a nice warm bed and re-read the book -- as an adult.
What insight into human nature! And as an adult I appreciated the dry, understated humor. I also appreciated the spiritual insights -- that God will give us what we desire, but sometims uses circumstances we don't like to teach us truths that we couldn't learn otherwise.
When I was a girl I was often turned off by what was called "good reading," but for some reason, I enjoyed Heidi and it never seemed sappy or corny.
Very much worth reading!

61 of 66 people found the following review helpful.
Surprisingly Well Written, Charming, and Memorable
By Gary F. Taylor
Modern adaptations tend to reduce HEIDI to the distastefully saccharine--and as such do a tremendous disservice to Swiss author Johanna Spyri, whose original 1880 novel is a surprisingly sophisticated work founded on a solid plot line and including exceptionally well-rounded characters and memorably rendered descriptions of both the Alpine peasantry and the German aristocracy.

When hardnosed Aunt Dete has the opportunity to secure better employment, she wastes little time in unloading five year old and orphaned Heidi on the child's grandfather, a Swiss peasant whose personal tragedies have led him to a life of isolation in the Alps. Heidi quickly penetrates her grandfather's superficial gruffness; he quickly grows to love the child and she in turn becomes a local favorite. Several years later, however, Dete is motivated by guilt to have second thoughts about the child's welfare, and snatches Heidi from the Alps to become the companion of the wealthy but invalid child Klara, who resides in Frankfurt.

Transported to this alien city so abruptly, Heidi pines for both the Alps and her grandfather even as she comes to love Klara. She also upsets the rigidly ordered household, personified by housekeeper by the unpleasant but comical Miss Rottenmeier. When Klara's sensible grandmother suggests Heidi take her problems to God, the child does precisely that, and after several disappointments discovers that her situation is part of a larger plan that will lead to a greater happiness for all concerned.

HEIDI was written at a time when children were expected to be able to read far beyond the scope of that which we expect of modern children. As a result, it is a children's novel written that is indeed a novel in every sense of the word, including length. It is indeed "wholesome," but in the best sense of the word, and although it is not in the least preachy it works through its story to encourage honesty, intergity, kindness, and an uncomplicated religious faith.

Unfortunately, our own age leans toward such children's literature as the poorly written Goosebumps series and sets up "Bratz" doll imagery as appropriate role models. In light of such, it is a bit difficult to imagine children reading HEIDI by their own choice. Nonetheless, it remains a truly charming work--the sort of reading that parents should encourage but sadly seldom do.

GFT, Amazon Reviewer

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Minggu, 28 Februari 2016

# Free Ebook Garota exemplar (Portuguese Edition), by Gillian Flynn

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Desde sua publicação, em 2012, Garota exemplar tornou-se sucesso de público e crítica, alcançando o topo das mais prestigiadas listas de mais vendidos ao redor do mundo e consagrando sua autora, Gillian Flynn, como a mais aclamada escritora de suspense da atualidade. Agora, a trama sobre o casamento que sai tragicamente dos eixos chega aos cinemas, numa superprodução da Twentieth Century Fox dirigida por David Fincher (A rede social e Clube da luta) e estrelada por Ben Affleck e Rosamund Pike. O roteiro é assinado pela própria Gillian Flynn.

O livro começa no dia do quinto aniversário de casamento de Nick e Amy Dunne, quando a linda e inteligente esposa de Nick desaparece da casa deles às margens do rio Mississippi. Sinais indicam que se trata de um sequestro violento e Nick rapidamente se torna o principal suspeito. Sob pressão da polícia, da mídia e dos ferozmente amorosos pais de Amy, Nick desfia uma série interminável de mentiras, meias verdades e comportamento inapropriado. Ele é evasivo e amargo — mas seria um assassino? Ao mesmo tempo, passagensdo diário de Amy revelam um casamento tumultuado — mas ela estaria contando toda a história?

Alternando entre os pontos de vista de Nick e Amy, Flynn cria uma aura de dúvidas em que o cenário muda a cada capítulo. À medida que as revelações surgem, fica claro que, se existe alguma verdade nos discursos de Nick e Amy, ela é mais sombria, distorcida e assustadora do que podemos imaginar. Magistralmente bem construído do início ao fim, Garota exemplar é um daqueles livros impossíveis de largar e sobre o qual se quer debater assim que a leitura termina.

“Um thriller envolvente, o retrato magistral do desenrolar de um casamento.”The New Yorker

Best-seller da Veja

  • Sales Rank: #688041 in eBooks
  • Published on: 2013-03-04
  • Released on: 2013-03-04
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Was a frustration book, with my respect the narrative ...
By claudia sharp
Was a frustration book, with my respect the narrative dont crab your attention and to much agony, suffering, unfairly situations. For me was a stress to read. No reason to read again any history from her.

0 of 0 people found the following review helpful.
A true page turner
By monica leite gondim
Very gripping from the very beginning, full of turns and twists, makes you run towards the end.
Não há narrador onisciente. A história é contada ora pelo marido, ora pela esposa, A Garota Exemplar.
E o leitor corre para o final.

0 of 0 people found the following review helpful.
Muito bom!!!
By Pam
O livro te envolve muito na primeira parte, mas quase chega a te cansar na segunda. O ponto forte está na terceira parte, mas na minha opinião faltou algo para que o desfecho fosse perfeito.

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Jumat, 26 Februari 2016

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Das Buch geht in zehn einst selbständigen Städten auf die Suche nach ihrer verbliebenen Individualität. Auf seinen Spaziergängen sammelt der Autor Mosaiksteine, die sich zu einem atmosphärisch stimmigen Gesamtbild zusammenfügen. Dabei erkennt er in scheinbar Banalem das Typische, dokumentiert Zufallsbegegnungen, stellt Fragen, assoziiert und kommentiert. Die einzelnen Kapitel können unabhängig voneinander gelesen werden. Vorgestellt werden Hamburg-Harburg, Berlin-Köpenick, Wolfsburg-Vorsfelde, Eisenhüttenstadt-Fürstenberg, Düsseldorf-Kaiserswerth und Krefeld-Uerdingen (diese beiden in einem gemeinsamen Kapitel), ferner Koblenz-Ehrenbreitstein, Frankfurt-Höchst, Würzburg-Heidingsfeld und Karlsruhe-Durlach. Das Ganze ist in eine kleine Rahmengeschichte aus Pro- und Epilog eingebettet. Sie spielt in einer elften "Schattenstadt", deren Name nicht genannt wird. Es dürfte reizvoll sein, diesen Ort selbst herauszufinden.

  • Sales Rank: #3808388 in eBooks
  • Published on: 2013-01-16
  • Released on: 2013-01-30
  • Format: Kindle eBook

About the Author
Klaus Künzel wurde 1946 in eine aus der Oberlausitz stammende Familie hineingeboren, die sich mehrfach in verschiedenen Orten im Süden und Westen Deutschlands neu einrichten musste. Schon früh entstanden sein Interesse an räumlichen Zusammenhängen und ein besonderes Gespür für die charakteristischen Merkmale von Landschaften und Städten. Wissenschaftliche Beschäftigung mit speziellen Stadtvierteln. Langjährige Tätigkeit als Lehrer für Geographie. Nach seiner Pensionierung konnte er seine Neugier auf vergessene Orte endlich zu einem Buchprojekt ausbauen. Bis auf einige meist fachbezogene Beiträge ließ er bisher keine Texte veröffentlichen. Klaus Künzel ist verheiratet und hat zwei erwachsene Kinder und zwei Enkel.

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0 of 0 people found the following review helpful.
Going "home" again!
By Hans H. Vonderwarth
What a wonderful book, highly recommendable.....Was especially fascinated with the Chapter on Krefeld/Uerdingen....took me right back to my youth again!

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Minggu, 21 Februari 2016

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A level 1 Oxford Bookworms Library graded reader. Written for Learners of English by Tim Vicary


He is not beautiful. His mother does not want him, children run away from him. People laugh at him, and call him 'The Elephant Man'.


Then someone speaks to him - and listens to him! At the age of 27, Joseph Merrick finds a friend for the first time in his life.


This is a true and tragic story. It is also a famous film.

  • Sales Rank: #1382724 in eBooks
  • Published on: 2009-04-01
  • Released on: 2013-02-25
  • Format: Kindle eBook

About the Author
Jennifer Bassett is Series Editor of the Oxford Bookworms Collection, for which she has written original stories One-Way Ticket and The President's Murderer.

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0 of 0 people found the following review helpful.
Three Stars
By Amazon Customer
Thanks

2 of 3 people found the following review helpful.
How disappointed I was
By Pam LeCroy
How disappointed I was. There was hardly any story to read. It was more like a review. I was very unhappy.
I would like either a refund or another version of this book that is more than just a review.
You said you would answer my comments and as of yet I have heard nothing from you.
Please let me know what you intend to do about this matter.

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Sabtu, 20 Februari 2016

## Ebook Free Work and Life in the Global Economy: A Gendered Analysis of Service WorkFrom Palgrave Macmillan

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This book aims to explore the social and cultural issues within the economic changes that have given rise to service work. Written by specialists in their respective fields, this book draws together authors from interdisciplinary areas that are carrying out significant research into gender and service work within an international context.

  • Sales Rank: #3649979 in eBooks
  • Published on: 2009-11-30
  • Released on: 2009-11-30
  • Format: Kindle eBook

About the Author
ALISON ADAM is Professor of Science, Technology and Society at the University of Salford, UK SHOBA ARUN is Senior Lecturer in the Department of Sociology at the Manchester Metropolitan University, UK LOURDES BENERIA is a Professor at Cornell University, USA and holds a joint appointment with the City and Regional Planning Department and Feminist, Gender and Sexuality Studies RACHEL CRUMP recently completed a Masters degree at Waseda University's graduate School of Asia Pacific Studies in Tokyo, Japan PREMILLA D'CRUZ is Associate Professor of Organizational Behaviour at the Indian Institute of Management in Ahmedabad, India MARISA D'MELLO is an independent organizational consultant and researcher in the IT industry in Mumbai, India CARLA FREEMAN is Associate Professor in the Departments of Anthropology and Women's Studies at Emory University, USA HAZEL GILLARD has a background of some thirty years lecturing in a wide range of subjects in Adult Community, Further and Higher Education in London, UK, and completed her PhD in Information Systems at the London School of Economics in 2006 LEO MCCANN is Lecturer in International and Comparative Management at Manchester Business School, UK KIRAN MIRCHANDANI is an Associate Professor at the Ontario Institute for Studies in Education of the University of Toronto, Canada ERNESTO NORONHA is Associate Professor of Organizational Behaviour at the Indian Institute of Management in Ahmedabad, India DIANE PERRONS is Professor of Economic Geography and Gender Studies at the London School of Economics, UK PHIL TAYLOR is Professor in Work and Employment Studies in the Department of Human Resource Management at the University of Strathclyde, UK DORA SCHOLARIOS is a Reader in Organisational Behaviour at Strathclyde University, UK JULIET WEBSTER is the author of Office Automation: The Labour Process and Women's Work in Britain, (1990), Shaping Women's Work: Gender, Employment and Information Technology (1996) and the co-editor of The Information Society in Europe: Work and Life in an Age of Globalisation (2000)

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Kamis, 18 Februari 2016

** PDF Ebook The Gods Are Broken!: The Hidden Legacy of Abraham, by Rabbi Jeffrey K. Salkin

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The story of Abraham smashing his father s idols might be the most important Jewish story ever told and the key to how Jews define themselves. In a work at once deeply erudite and wonderfully accessible, Rabbi Jeffrey K. Salkin conducts readers through the life and legacy of this powerful story and explains how it has shaped Jewish consciousness.

Offering a radical view of Jewish existence, The Gods Are Broken! views the story of the young Abraham as the primal trauma of Jewish history, one critical to the development of a certain Jewish comfort with rebelliousness and one that, happening in every generation, has helped Jews develop a unique identity. Salkin shows how the story continues to reverberate through the ages, even in its connection to the phenomenon of anti-Semitism.

Salkin s  work combining biblical texts, archaeology, rabbinic insights, Hasidic texts (some never before translated), philosophy, history, poetry, contemporary Jewish thought, sociology, and popular culture is nothing less than a journey through two thousand years of Jewish life and intellectual endeavor.

  • Sales Rank: #1214636 in eBooks
  • Published on: 2013-04-01
  • Released on: 2013-04-01
  • Format: Kindle eBook

From Booklist
The story’s not in the Bible, but Hebrew-school veterans, Salkin says, virtually all know it. When he was about bar mitzvah age, Abram destroyed his idol-making father’s wares because, among other things, grown men shouldn’t worship clay figurines. In so doing, he became the first Jew and established the tradition that Jews are idol-smashers. Mining the vast troves of Jewish legendry and midrashim, Salkin expands and deepens knowledge and understanding of the biblical Abram, both before and after God changed his name and promised that his descendants would be the chosen people. He also discusses Moses, when he shattered the first tablets he received from God in a most consequential and very surprising later act of idol smashing. Iconoclasm is essential to being Jewish, Salkin argues, and continues—or should continue—today against the consumerism and materialism worshipped at the altar of free-market economics. Of course, there are consequences for idol smashing, which is why the Jews have so long been exiles and outsiders, dissidents and protesters. Lively, engaging biblical exegesis for Christians, perhaps, even more than Jews. --Ray Olson

Review
“Jeffrey Salkin takes us on a magical journey through Jewish history and texts, showing us how a simple, ancient postbiblical tale is essential for our understanding of the totality of the Jewish experience. It is full of insights that will challenge how we as readers view modern society and the idolatries that are inherent in it.”—Norman J. Cohen, rabbi and professor of Midrash at Hebrew Union College–Jewish Institute of Religion, New York, and author of Masking and Unmasking Ourselves (Norman J. Cohen 2012-09-19)

"Mining the vast troves of Jewish legendry and midrashim, Salkin expands and deepens knowledge and understanding of the biblical Abram."—Ray Olson, Booklist (Ray Olson Booklist 2013-04-01)

"Smoothly weaving together contemporary scholarship, midrashic elaborations of scripture, and meditation on the key symbols that evoke his central issue, Rabbi Salkin provides a map of Judaic meaning. By comparing and contrasting Abraham’s breaking of his father’s idols with the breaking of the first set of tablets by Moses, he opens up a investigative mode that has far-reaching consequences for the world Jewish community, both present and future."—Phillip K. Jason, Jewish Book Council (Phillip K. Jason Jewish Book Council)

"Salkin's work—combining biblical texts, archaeology, rabbinic insights, Hasidic texts (some never before translated), philosophy, history, poetry, contemporary Jewish thought, sociology, and popular culture—is nothing less than a journey through two thousand years of Jewish life and intellectual endeavor."—Dov Peretz Elkins, Jewish Media Review (Dov Peretz Elkins Jewish Media Review)

"The text is filled with quotations from throughout Jewish history; Talmud and Midrash, medieval sages and modern scholars have all had important things to say about this small vignette. Salkin has skillfully woven them into a useful and comprehensible tapestry."—Fred Issac, Association of Jewish Libraries Review (Fred Issac Association of Jewish Libraries Review 2013-09-15)

About the Author
Rabbi Jeffrey K. Salkin is the author of numerous books, including Righteous Gentiles in the Hebrew Bible: Ancient Role Models for Sacred Relationships and Putting God on the Guest List, winner of the 1993 Benjamin Franklin Award for the best religion book published in the United States.

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2 of 2 people found the following review helpful.
Misguided, intellectually sloppy, theologically suspect, spiritual Trojan horse
By Rick J. Strassman
Long review.
This is a dangerous book. The only reason I might recommend it is for one to learn yet another set of anti-Judaism, anti-Israel tropes emerging from our own clerics. Both the title and publisher’s summary are misleading. Rather than an explication of “a certain Jewish comfort with rebelliousness” as exemplified in the story of Abraham and the idols, Salkin has written an anti-Jewish, anti-Israel Trojan horse.
Salkin opens his work with a relatively straight-forward retelling, and contemporary contextualization, of the midrash regarding Abraham’s smashing of his father’s idols in Ur. This, in his addressing the question: “Why did God choose Abraham?” The last section of the book is mostly—but in important ways, not entirely—a familiar call to reinvigorate one’s Jewish religiosity with more fervency and rigor.
There was nothing novel in the initial chapters—the familiar critique of the “idols” of consumerism, materialism, and narcissism—and I debated whether to shelve the book without finishing it. I did note Salkin’s tendency to attribute equivalent “historical” and spiritual legitimacy to midrash and Tanakh. This differs from my approach, which combines admiration for and fascination with the Sages’ creative responses to the foundational text with a recognition that midrash is exegetic. I’m grateful when midrash helps me understand the text. If it doesn’t, there are other ways to do so, including philology and grammar, philosophy, natural science, and ancient near East archaeological discoveries. I feel free to disagree with midrash—either its content or implications. With Tanakh, any case of conflict or confusion that I experience precludes disregarding it. If I can’t understand it now, it will remain simmering on the back burner, hopefully to be explicated at a later date.
As I continued working my way through Salkin’s book, his motivation to place midrash and Tanakh on equal footing became clearer. This was his wish to create midrash on the midrash. In particular, a midrash on the episode of King Nimrod of Ur casting Abraham into the furnace because the latter refused to worship anything other than the one God.
In the original midrash, Nimrod demands that Haran, Abraham’s brother who is on hand for these events, pledge allegiance to the king or to Abraham. Haran equivocates, waiting for the outcome of Abraham’s trial. Seeing that his brother emerges from the furnace unscathed, he votes for Abraham. Nimrod, not surprisingly, throws Haran into the furnace, which accomplishes its task this time.
Next Salkin asks us to “imagine, mischievously” (and who among us wishes to be seen as lacking imagination and a little mischievousness?) an extraordinarily perverse reading of the midrash. That is, Abraham abandoned his brother Haran, allowing him to be killed, by not intervening to save him from Nimrod. Abraham failed, as did their father Terach—who may also have witnessed this drama unfold. This “primal trauma” engendered terrible guilt in Abraham and, according to Freudian psychology, buried itself in Abraham’s unconscious. Further, it continued, and continues, to express itself in the unconscious of Abraham’s progeny; that is, all Jews—including other Biblical patriarchs. This, according to Salkin, is the root of what he sees as the Jews’ proclivity of “sacrificing” their kin—that is, other Jews—oftentimes their children.
Abraham thus began a Jewish tradition of acting-out survivor’s guilt, a Freudian compulsion to repeat, where the unconscious hopes that the outcome will somehow turn out better than did the original incident. According to Salkin, this is why Abraham pleads for God to spare Sodom and Gomorrah. Not because of the patriarch’s compassion, but because of his wish to be freed of the burden of the guilt of Haran’s death—a death he could have prevented but didn’t. Abraham is neurotic, sick. Of course, there is nothing in the midrash suggesting that neither Abraham nor Terach didn’t plead for their brother’s/son’s life. Perhaps they did. And if they did, would Nimrod have listened? But to assume they didn’t plead for Haran’s life got me wondering why Salkin makes this interpretation.
Well, it provides a coherent and damning explanation of why, in Salkin’s view, so many prominent figures in Tanakh threw their kin under the bus. Here, by the way, we see another example of Salkin conflating two separate but related issues by bringing in, unannounced, the additional motivation of the Jewish forebears’ greed and duplicity. While straining credulity, the attribution to Lot of “hereditary survivors’ guilt” in his offering his daughters to the crowd of Sodomites is at least consistent with his original thesis. On the other hand, in an embarrassing misreading of Genesis 20, his suggestion that Abraham handed over Sarah to the Philistine king Avimelech, “exchanging her sexual favors for riches” (page 77), is quite different—and an even more reprehensible motivation than acting out survivors’ guilt.
In addition, what does Salkin’s theory imply? Invoking Freud’s notion of collective repression of (collective) sin is a slippery slope. Freud hypothesized that the Hebrew’s murder of Moses led to an unconscious process of semi-deification and attributing to him Mosaic law. From this, it follows that the de-repression of that murder’s memory would remove the basis of Judaism. This is consistent with Freud’s belief that all religions were obsessive-compulsive neuroses, which would disappear with the widespread adoption of psychoanalytic treatment.
In Salkin’s iteration of Freud’s pathologizing Judaism, if Abraham had access to a top-notch psychoanalyst, it also follows similarly that there would be no Judaism. And now—if all Jews could have their unconscious guilt over Abraham’s primal “sin” (and that’s what it is, not a “trauma”) treated successfully, what would Judaism look like? And an inconvenient question: Where is God in Salkin’s model?
I should note, too, that Salkin raises the confusing prospect that the repressed memory of the Jews’ (or their forebears’) worship of idols is the “primal trauma.” But this is not a repressed memory. The Prophets and the Writings are replete with clearly articulated accounts of Israel’s idol worship.
Salkin’s thinking takes us into some strange territory. For example, he uses his theory (or is it theories: one of hereditary survivors’ guilt motivating “sacrificing” one’s kin, and/or that Jews are greedy and will sell their wives into sexual slavery for money) to explain why Abraham so readily agreed to sacrifice Isaac. Here, we learn that Abraham is neurotically compelled to replay his “sacrifice” of Haran; not that he’s demonstrating his faith in, submission and obedience to, or love of God.
Jacob comes in for especially harsh treatment by Salkin. He equates Isaac’s blessing of Jacob, effectuated through the latter’s disguise prompted by Rebecca, as Jacob’s “sacrificing” Esau. His theory explains Jacob’s “willingness” to “sacrifice” half of his family if Esau attacked his camp; this, rather than being the last and least desirable resort if prayer and gifts failed to halt the feared onslaught. This is Jacob's motivation, not a painful decision regarding which part of his camp would begin his military defense.
This neurotic acting out by the first Jews—“sacrificing” their kin in the unconscious wish that “it won’t turn out so bad this time”—is also why Jacob sent Joseph to search for his brothers. Not in order to reestablish sibling peace among his brood, or because of prophetic inspiration, but as an unconscious reenactment of Abraham’s “primal trauma” of “sacrificing” Haran his brother. Similarly, Jacob “through utter obliviousness” throws Dinah under the bus of Shechem’s sexual predation.
It doesn’t stop there. In fact, it seems as if God is guilty of the same neurotic acting out, as in the next paragraph, we read how the death of Aaron’s sons Nadav and Avihu for “offering alien fire before YHVH” fits in with this pattern.
What is Salkin attempting to accomplish? I don’t know, but I do believe that some ideas are not worth sharing, particularly if they may bring more calumny against the Jews.
In fact, as I made my way through the disturbing mid-section of the book, the heart of the new ideas Salkin wishes to share, I felt as if I were being invited to condemn the Jews and their forbears. Why, for example, does Salkin portray Jacob’s breeding of uniquely colored sheep and goats as “cheating” Laban? Jacob received instructions on this breeding technique from an angel, in prophecy, from God, after Laban had once too often taken advantage of Jacob’s loyalty and love of Laban’s daughters. Jacob clearly needed divine intervention—he didn’t come up with this “subterfuge” on his own. Such an approach to the patriarchs feels spiteful and demeaning, even if Salkin may think they are novel approaches to the text. Approaches, to the text which lack textual grounding.
Salkin provides many examples of uncritical thinking, conflating various notions in order to buttress his sermonizing. For example, in lauding the attribute of rebelliousness, as exemplified by Abraham in the midrash of smashing his father’s idols, he refers to the case of the rebellious or wayward son, for whom the Torah prescribes the death penalty--a penalty, the Sages (and thankfully, Salkin) note, was never carried out. We know, however, that the rebellious son does not rebel against paganism, idol worship, astrology, and child sacrifice—all those things in the Ur religion which Abraham rejected. Rather, the wayward son rebels against his parents by being a glutton and a drunkard. How could these two examples of rebelliousness be equated in Salkin’s mind? Not all rebellion against one’s parents is the same.
Another example: On page 102 Salkin states that the Israelites brought offerings to the Golden Calf. There is no mention of this in the Torah; rather, Aaron proclaims a “festival to YHVH,” not to the Calf, for the following day. In an even stranger corollary to the Calf incident, Salkin posits that early Christian thinkers believed that Judaism itself (his italics) was the punishment for the Calf. This makes little sense. Judaism was not the punishment; rather, Christian aggression was a response to the Jewish religion. Is Salkin channeling Paul? That is, does he see “the Law” (Judaism) which Paul mostly excoriated, as“punishment” for the Calf?
On page 117, he suggests that the Hebrews in Egypt were commanded to bring a lamb into their households for four days before the Passover in order to lull the Egyptians into believing that they had finally decided to fit into Egyptian life. How could this possibly be the case, after nine devastating plagues wrought by God in response to Pharaoh’s refusal to send the Hebrews out of Egypt?
On page 119, Salkin equates the Jewish tendency to not mingle with gentiles with generic misanthropy, a gross misreading of the tradition. And that this “Jewish misanthropy” is evidenced by the legend that the Egyptians expelled the Jews because of the latter’s suffering leprosy. How is this an example of Jewish misanthropy, even if such a thing existed?
Salkin cannot have it both ways. That is, his damning midrash on the “authoritative-as-Scripture” midrash carries weight, whereas real midrash, attributed to the Sages, doesn’t. On page 111-112 he describes as “ironic” how Rabbi Joshua Ben Levi is “wrong” when he suggests that both the second intact and original broken tablets on which were inscribed the 10 Commandments were placed in the Ark. Salkin points out: “that is a rabbinic tradition rather than a Scriptural citation.” Then, he suggests “mischievously, creatively, and compassionately” (and who among us doesn’t wish to be seen as mischievous, creative, and compassionate?) that the Sage’s recollection of Scripture was impaired because of senility. Rabbi Joshua’s dementia leads to a relatively harmless midrash, and Salkin advises compassion for a doddering Sage—supported by his footnote to this interpretation. This, while impugning malignant psychopathology to the progenitors of the Jews and their progeny, based on his midrash of the selfsame midrashic literature.
Salkin’s less well-articulated agendas—that is, additional to his psychopathologizing and morally execrating the Biblical founders of Judaism—becomes clearer in the book’s final chapters. These include anti-Zionism and facile inter-faithism. He suggests, by favorably adducing the “Jew and non-Zionist” George Steiner, that Jews are best served in exile, in the Diaspora, and that the security of the homeland is “a betrayal of Jewish identity.” This, apparently, is in the spirit of Abraham, in that it is a “smashing” of the “idol” of the Land. This, of course, flies in the face of dozens of mentions of God’s wish for the Jews to conquer, settle, and make flourish the land of Canaan—as found in the Torah, Prophets, and Writings. Nowhere do we read that God wishes for the exile; rather, the exile is a punishment, or at least the consequence of beliefs and actions inconsistent with living on the Land.
As the book wound down, I noted Salkin’s tendency to support many of his notions with the writings of Protestant Christian academics and clerics at least or more often than contemporary Jewish sources. In addition, his use of “Orthodox” and “radical right-wing” in describing certain Jewish writers stood out in contrast to his never using the qualifiers “secular” or “radical left-wing” for other Jewish writers. His ready acceptance of “interfaith” dialogue around Abraham as the common patriarch of Judaism, Christianity, and Islam also belies an apologetic approach that interferes with critical thought. In this case, he and others sharing this watered-down understanding of Abraham as the “father of Western monotheism” would be well-served by studying the nuanced, and in many ways, contrary conclusions of Jon Levenson in his highly recommend “Inheriting Abraham.”
Salkin closes his disturbing book by suggesting that “modern religious understanding” believes that a reliance on older communal and structural models of Judaism is a form of idolatry. Does this mean that they are to be smashed, or to be reworked? To be turned away from, or to be explored more deeply? Do we reinvent Judaism? Do we stand on our ancestors’ shoulders, sit at their feet, or walk with them? And who is to say, using what criteria?
Perhaps not surprisingly, Salkin ends with a quote by Ralph Waldo Emerson, a proponent of the type of nature-based non-monotheistic spirituality that Abraham so forcefully and effectively repudiated. And, whose poem “William Rufus and the Jew,” takes delight in humorously and contemptuously lambasting “Jewish usury.”

1 of 1 people found the following review helpful.
Captivating and Thorough
By Karen L. Fox
Rabbi Jeff Salkin engages the reader and explores a lens by which we might understand the whole of Jewish experience. This powerful story of Abraham and the idols is accessible to all and perhaps that is its power. We step in with our memories of that key story and with Salkin's guidance, understand it's psycho-social-spiritual impact on individuals and Jewish culture. His writing is smooth, research thorough and his humor hits home. Salkin leaves us with more questions, re the current 'broken gods' and serious religious responses.

On another vein, more usable research for sermons and teaching by Jeff Salkin. Thanks!!

Rabbi Karen Fox

0 of 0 people found the following review helpful.
Profound insights....
By Norman J. Harris
Salkin presents us a compelling discussion of the first patriarch. The significance of Abraham's story is clearly and concisely presented. The author's style is direct and his explanations are immediately accessible. This is a must read... and model... for anyone who wrestles with Biblical texts.

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